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    With Communion, Years and Years made a palpable new tribal impact on pop. 

    They mapped out something of the treasure trail of pops special inlet, locating a loyal band of brothers and sisters for whom Olly meant more than someone to look up to, glistening on stage.

    This summer, Years and Years released Palo Santo. All of Ollys newly minted creative ambition will find its pure physical pulse. Years and Years have crafted their own special landmarks that feel intuitively connected to great British pop classicism while standing bolt upright on a world stage next to Drake, The Weeknd and Rihanna. Ollys specific creative reaction to all this has been pouring it back into Years and Years world.

    Palo Santo is a whole new universe created from the imagination of the singer. He understands more than most his responsibility as a pop star, as much to an audience that hang on his every word as those that might catch thirty seconds of it on the radio and have their ears pricked by fulsome new pop ambition.

    The confidence that propels the new Years and Years album, the full-blooded fantasia of Palo Santo connects to where we are as a country, as a world, at a stark moral cross roads, between left and right, old and young, hypocrisy and truth, right and wrong. It is about pop music taking the reigns, steering us out of the terrestrial universe and rethinking everything from the outside. Its about outlier pop as futurism, once more, about offering solutions when the world is failing you. 

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